Fallingwater is more than work of art, it is a religious experience. I visited it three times (each time my visit to Pittsburgh and the area surrounding the house was to specifically see it) and every damn time I stood weeping leaving the tour.
If you ever visit Taliesin in Wisconsin (which has a pretty bland), you should also visit the nearby House on the Rock which is a fascinating and very weird collection of esoteric and kitschy items.
The contrast in attitudes and aesthetics between the two is incredibly stark, and it's very interesting to see the reactions of visitors to each location.
I remember rumors going around Phoenix of someone trying to demolish the David and Gladys Wright House in 2011. Someone got a great deal on it around that time, $1m. It sold with a 7-10x return a a few years later.
Viewed in isolation it is a bit underwhelming, but if you see it in landscape it has a charm. I think a copper roof on both structures would make it pop.
I'm sad that we're coming up towards 100 years on from Fallingwater being built, and yet the American preference for new houses of a similar price (after inflation) is the sort of awful stuff that shows up on mcmansionhell.com.
The instinct to preserve and honor Frank Lloyd Wright in Oak Park, where I live, has basically frozen the place in amber, which isn't something Wright would have wanted, and also worked synergistically with exclusive zoning to keep the Village ultra-expensive (it directly abuts the Austin neighborhood in Chicago, which is low-middle income) and white (unlike Austin, which is 90+% Black).
No idea what Wright would have thought about racial housing segregation, but it was certainly a knock-on effect of the preservationist cult he accidentally created.
People want square footage and comfort, not design. Frank Lloyd Wright homes look stunning in an Architectural Digest spread, but living in them is not really up to par for modern standards.
The main house uses 9,300 square feet of which 4,400 is outdoor terraces, while the guest house totals 4,990 square feet of which 1,950 square feet is outdoor terraces.
The contrast in attitudes and aesthetics between the two is incredibly stark, and it's very interesting to see the reactions of visitors to each location.
Viewed in isolation it is a bit underwhelming, but if you see it in landscape it has a charm. I think a copper roof on both structures would make it pop.
No idea what Wright would have thought about racial housing segregation, but it was certainly a knock-on effect of the preservationist cult he accidentally created.
https://fallingwater.org/media-resources/fallingwater-facts/